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The way I go about a lovemaking scene is that we will talk about it during the rehearsing time.
Ang Lee
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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
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Lovemaking
Rehearsing
Scene
Talk
Way
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Making movies is a way of understanding myself and the world.
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The woman's perspective is like the dark side of the moon: it always exists, but it is never exposed, at least not in my culture.
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Thinking back to those earlier days, I felt I was weak when I wasn't making movies, and then when I was, I thought I was weak as a family member.
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Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
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Everyone in the gay community doesn't think alike.
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I'm a drifter and an outsider. There's not one single environment I can totally belong to.
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I hope people don't compare 2D and 3D because 3D's new, it's unfair to compare to 2D which is really sophisticated, even when we're jaded about it. 3D just began, give it a chance, let the equipment and projection system catch up and be better, let the price go down, let more filmmakers get a hold of it more easily.
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If the movie is quiet I generally feel the audience is busy. That's when they're working.
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You can get rich or famous by doing the same thing.
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I don't have incredible knowledge about films or of filmmaking history I'm not that kind of person.
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When you talk about God, the first thing that comes along is not love, it's fear. You have to fear, and be in awe. You have to be scared. Any religion, it's like first thing.
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I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
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I look at American movies, the big muscles, and try to apply that to Chinese film-making.
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I don't care about writing really.
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Every movie I make. That’s my hideout, the place I don’t quite understand, but feel most at home.
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I feel like all of my characters now take this congested situation, they clash, and from there you purge yourself.
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I'm a big boy now, and I have to deliver.
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When there is a strong woman character in a story - that always grabs me
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Sometimes, you have to get angry to get things done.
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For a filmmaker, it's a rare chance to do a personal film on a big canvas.
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