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I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.
Ang Lee
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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Deals
Screening
Talk
Pitch
Never
Conversations
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Executives
Studio
Studios
Test
Deal
More quotes by Ang Lee
Everyone in the gay community doesn't think alike.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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If there's something that can be formulated, regulated, give you security, then nobody would lose money. Every movie would be successful. And that's certainly not the case.
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I think a lot of people do big movies not because they are talented artists but because they can function in the circumstances.
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Every movie is unknown.
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Making movies is a way of understanding myself and the world.
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My father was the center of the family, and everyone tried to please him.
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To me, Ennis stands for the conservative side of America. He's the biggest homophobe in the whole movie - culturally and psychologically - but by the time he admits his feelings, it's too late.
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When you talk about God, the first thing that comes along is not love, it's fear. You have to fear, and be in awe. You have to be scared. Any religion, it's like first thing.
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On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
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Americans are hidden dragons to me.
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I took the name Green Destiny from - well there is such a sword called Green Destiny. It is green because you keep twisting it, it's an ancient skill, you keep twisting it and knocking it and twisting it until it is very elastic and light.
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I don't have incredible knowledge about films or of filmmaking history I'm not that kind of person.
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Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, What if this doesn't work? What if that doesn't work? you want to cover yourself, you want to bring back enough [footage] so you can do something.
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We need storytelling. Otherwise life just goes on and on, like the number Pi.
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I look at American movies, the big muscles, and try to apply that to Chinese film-making.
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Many times when you make a movie, it feels like your biggest mistake. But even if a film isn't a hit, you shouldn't view it as a mistake.
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The fear factor actually brings the genuineness.
Ang Lee
I think that at heart I am an old-fashioned Chinese, really I am.
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My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.
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