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My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.

Ang Lee

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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Story
Realized
Actors
Instinct
Stories
Function
Wells
Short
Firsts
Close
Well
Couple
First
Needed
Cast
Love
Possible
Casts

More quotes by Ang Lee

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My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security.
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Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
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I'm not a romantic. In life I didn't have much experience with romance.
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When something possesses me, I go ahead and do it.
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Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
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I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures.
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Every movie I make. That’s my hideout, the place I don’t quite understand, but feel most at home.
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My father was the center of the family, and everyone tried to please him.
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Everyone in the gay community doesn't think alike.
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I look at American movies, the big muscles, and try to apply that to Chinese film-making.
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Making movies is a way of understanding myself and the world.
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These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends.
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In my culture, there's a tradition that when you're in an overwhelming situation and you don't know what to do, you put yourself in a woman's shoes.
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I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that he's not reading. And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.
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When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.
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Depending on the budget [whether to use 3D on future movies]. I think I prefer 3D to 2D now. Also, because of 3D I have to use a digital camera, which is the way it's going anyway. That still confuses me, a digital camera versus film.
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In Taiwan, I'd be like Michael Jordan walking down the street.
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I like to do drama, something about life that could be disappointing.
Ang Lee