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My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.
Ang Lee
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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Actors
Instinct
Stories
Function
Wells
Short
Firsts
Close
Well
Couple
First
Needed
Cast
Love
Possible
Casts
Story
Realized
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I think great romance needs great obstacles and textures.
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I think people are universal.
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We need storytelling. Otherwise life just goes on and on, like the number Pi.
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The fear factor actually brings the genuineness.
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In Taiwan, I'd be like Michael Jordan walking down the street.
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I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.
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If there's something that can be formulated, regulated, give you security, then nobody would lose money. Every movie would be successful. And that's certainly not the case.
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I'm aware of what's missing from my life.
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Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
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I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades it's the same principles, so 3D's more exciting.
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I think that at heart I am an old-fashioned Chinese, really I am.
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I guess in Hollywood you chart your life by Oscars. You say to each other, Remember when that movie won that year? It was 2006. Remember that?
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A movie is really provocation. It's not a message, it's not a statement.
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When I see something I like, that's all that counts. What they use, how they get there, I never bother them.
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Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, What if this doesn't work? What if that doesn't work? you want to cover yourself, you want to bring back enough [footage] so you can do something.
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The way I go about a lovemaking scene is that we will talk about it during the rehearsing time.
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It's not a pleasure torturing actors, although some of them enjoy it.
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On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
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No matter how widely spread out the films are, how different, you still are you.
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