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I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

Ang Lee

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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
West
Empty
Space
American
Really
Attracts
Think
Desert
Thinking
Romantic
Drama

More quotes by Ang Lee

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Meanwhile, the Ice Storm was still in development, And that was something I really wanted to do, and frankly I don't think I was ready to do a big production like this.
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The fear factor actually brings the genuineness.
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So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide.
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We need storytelling. Otherwise life just goes on and on, like the number Pi.
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Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, What if this doesn't work? What if that doesn't work? you want to cover yourself, you want to bring back enough [footage] so you can do something.
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Sometimes, you have to get angry to get things done.
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My hometown was one of the major U.S. Air Force bases.
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If you try to act, you're going to look like you're acting. So don't act.
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The thing we call critics are not really reviewers, they are not really critics. They don't have the discipline to write what we would term as critique - it's really just reviewers. They have a common man kind of taste. If you watch them overall, they are not different from the box-office. That's my view.
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On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
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I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades it's the same principles, so 3D's more exciting.
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Thinking back to those earlier days, I felt I was weak when I wasn't making movies, and then when I was, I thought I was weak as a family member.
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These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends.
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Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
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I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures.
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that he's not reading. And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.
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Sensitivity and money are like parallel lines. They don't meet.
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I like to think I'm un-categorisable.
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Beautifully-acted and precisely observed, ILO ILO is an amazing debut, full of heart and intelligence.
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