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I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

Ang Lee

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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Thinking
Romantic
Drama
West
Empty
Space
American
Really
Attracts
Think
Desert

More quotes by Ang Lee

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Emotions serve characters' purposes. That is their motivation.
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I think doing period piece is easier, because after a certain distance, everybody is equal, I think. The relative contemporary is harder. I think that's the way it is.
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Meanwhile, the Ice Storm was still in development, And that was something I really wanted to do, and frankly I don't think I was ready to do a big production like this.
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Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
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I find it hard to deliver straightforward things.
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Many times when you make a movie, it feels like your biggest mistake. But even if a film isn't a hit, you shouldn't view it as a mistake.
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If it was a choice between making movies and doing nothing, he'd probably still wish me to make movies, So he made me keep going.
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With 3D you're right there immersed in the world.
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American films are less American every day, because you have to please a world audience. There's less authenticity, so it's more accessible.
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Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
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My mother loves me and everything goes well. I have no conflict with her, so that's not dramatic.
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3D is quite a lot more advanced in animated movies for live-action movies we're just taking baby steps, we're just in the beginning. So when I think of doing that I was very excited. It didn't go as far as I think it should, I'm still a novice, but I think it's fair to say it's a new cinematic medium, experience.
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I see a movie as a way of learning about the world, about myself, and learning about my relationship with people and art.
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that he's not reading. And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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I look at American movies, the big muscles, and try to apply that to Chinese film-making.
Ang Lee
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If there's something that can be formulated, regulated, give you security, then nobody would lose money. Every movie would be successful. And that's certainly not the case.
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So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide.
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The most mysterious feminine factor, the existence that we men, we don't know. It's woman. It's feminine. That's what the sword is about. That's the symbolic meaning of the sword.
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I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
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I think that at heart I am an old-fashioned Chinese, really I am.
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