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I feel that everyone has a Hulk inside, and each of our Hulks is both scary and, potentially, pleasurable. That's the scariest thing about them.

Ang Lee

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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Everyone
Feel
Feels
Hulk
Thing
Scariest
Pleasurable
Potentially
Scary
Inside

More quotes by Ang Lee

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I think a lot of people do big movies not because they are talented artists but because they can function in the circumstances.
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On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
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It's just what I am. When I am in the zone making one movie, I just didn't want to read anything else or do anything else, so I don't really develop projects.
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I'm a big boy now, and I have to deliver.
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For a filmmaker, it's a rare chance to do a personal film on a big canvas.
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I find it hard to deliver straightforward things.
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I look at American movies, the big muscles, and try to apply that to Chinese film-making.
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I had to find my way of translating the excitement you get when you're reading comic books to the big screen.
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So there was one point I thought I was gonna lose it, but once I get on something I have to finish it I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around.
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Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.
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I have two sons in America, and all they care about in Chinese culture is Jackie Chan and Jet Li.
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I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
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Things that don't have a big impact seem to be crucial. Always when you go out to make a movie you have questions, What if this doesn't work? What if that doesn't work? you want to cover yourself, you want to bring back enough [footage] so you can do something.
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Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
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To me, Ennis stands for the conservative side of America. He's the biggest homophobe in the whole movie - culturally and psychologically - but by the time he admits his feelings, it's too late.
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So many times you see beautiful lovemaking scenes with a lot of exposure or an awkward lovemaking scene, but I think it's very rare that you see it private.
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I think a movie is a media that is evoking feelings.
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I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.
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These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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