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I used to cut out paper dolls.

Andy Warhol

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Andy Warhol
Age: 58 †
Born: 1928
Born: August 6
Died: 1987
Died: February 22
Artist
Autobiographer
Cinematographer
Designer
Diarist
Drawer
Film Director
Film Producer
Filmmaker
Graphic Artist
Illustrator
Painter
Pittsburg
Pennsylvania
Andrew Warhola
Andrew Warhol
Drella
Andrej Varchol
Andrej Warhol
Used
Dolls
Paper
Cutting

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In some circles where very heavy people think they have very heavy brains, words like charming and clever and pretty are all put-downs all the lighter things in life, which are the most important things, are put down.
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The key of the success of Studio 54 is that it’s a dictatorship at the door and a democracy on the dance floor.
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What's great about this country is that America started the tradition where the richest consumers buy essentially the same things as the poorest.
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Wasting money puts you in a real party mood.
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Andy Warhol: I think everybody should like everybody. Gene Swenson: Is that what Pop Art is all about? Andy Warhol: Yes, it's liking things.
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The world fascinates me.
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Just like New Yorkers themselves, the trees in New York [city] work harder than any others in the world.
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Two people kissing always look like fish.
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Everybody has their own America, and then they have pieces of a fantasy America that they think is out there but they can't see. So the fantasy corners of America seem so atmospheric because you 've pieced them together from scenes in movies and music and lines from books.
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Actually, I jade very quickly. Once is usually enough. Either once only, or every day. If you do something once it’s exciting, and if you do it every day it’s exciting. But if you do it, say, twice or just almost every day, it’s not good any more.
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When you stop wanting something, you get it.
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Pop art is about liking things.
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One person in the 60s fascinated me more than anybody I had ever known. And the fascination I experienced was probably very close to a certain kind of love
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I've never made the separation between, say, the museum and the hardware store. I mean, I enjoy both of them, and I want to combine the two.
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Human beings are born solitary, but everywhere they are in chains - daisy chains - of interactivity. Social actions are makeshift forms, often courageous, sometimes ridiculous, always strange. And in a way, every social action is a negotiation, a compromise between 'his,' 'her' or 'their' wish and yours.
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It must be hard to be a model, because you'd want to be like the photograph of you, and you can't ever look that way.
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I thought that young people had more problems than old people...Then I looked around and saw that everybody who looked young had young problems and that everybody who looked old had old problems.
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I read an article on me once that described my machine-method of silk-screen copying and painting: 'What a bold and audacious solution, what depths of the man are revealed in this solution!' What does that mean?
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Most people in America think Art is a man's name.
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