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I can never get over when you're on the beach how beautiful the sand looks and the water washes it away and straightens it up and the trees and the grass all look great. I think having land and not ruining it is the most beautiful art that anybody could ever want to own.

Andy Warhol

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Andy Warhol
Age: 58 †
Born: 1928
Born: August 6
Died: 1987
Died: February 22
Artist
Autobiographer
Cinematographer
Designer
Diarist
Drawer
Film Director
Film Producer
Filmmaker
Graphic Artist
Illustrator
Painter
Pittsburg
Pennsylvania
Andrew Warhola
Andrew Warhol
Drella
Andrej Varchol
Andrej Warhol
Think
Away
Sand
Thinking
Art
Beach
Beautiful
Grass
Ever
Trees
Look
Anybody
Looks
Tree
Straightens
Great
Land
Washes
Never
Water
Ruining

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I am a deeply superficial person.
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I love going out every night. It’s so exciting.
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I never wanted to be a painter I wanted to be a tap dancer.
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People are always so boring when they band together. You have to be alone to develop all the idiosyncrasies that make a person interesting.
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I think everybody should like everybody.
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The girls in California were probably prettier in a standard sense than the New York girls--blonder and in better health, I guess but I still preferred the way the girls in New York looked--stranger and more neurotic (a girl always looked more beautiful and fragile when she was about to have a nervous breakdown).
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I wake up every morning. I open my eyes and think: here we go again.
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When I look at things, I always see the space they occupy. I always want the space to reappear, to make a comeback, because it's lost space when there's something in it.
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A friend of mine always says, ‘Women love me for the man I’m not.’
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People should fall in love with their eyes closed.
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Maybe the reason my memory is so bad is that I always do at least two things at once. It's easier to forget something you only half-did or quarter did.
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The childlike, gum-chewing naivete, the glamour rooted in despair, the self-admiring carelessness, the perfected otherness, the wispiness, the shadowy, voyeuristic, vaguely sinister aura, the pale, soft-spoken magical presence, the skin and bones . . .
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Exposure and attention make a work famous - the more you talk about it, the more attention it gets, the more validity it achieves.
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I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.
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