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I don't know where the artificial stops and the real starts.

Andy Warhol

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Andy Warhol
Age: 58 †
Born: 1928
Born: August 6
Died: 1987
Died: February 22
Artist
Autobiographer
Cinematographer
Designer
Diarist
Drawer
Film Director
Film Producer
Filmmaker
Graphic Artist
Illustrator
Painter
Pittsburg
Pennsylvania
Andrew Warhola
Andrew Warhol
Drella
Andrej Varchol
Andrej Warhol
Artificial
Starts
Real
Stops

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And your own life while it's happening to you never has any atmosphere until it's a memory.
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The best museum is Bloomingdales.
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Business Art is the step that comes after Art.
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The pop artists did images that anybody walking down Broadway could recognize in a split second — comics, picnic tables, men’s trousers, celebrities, shower curtains, refrigerators, Coke bottles. All the great modern things that the Abstract Expressionists tried not to notice at all.
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If everyone isn't beautiful, then no one is.
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I am a deeply superficial person.
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The interviewer should just tell me the words he wants me to say and I’ll repeat them after him. I think that would be so great because I’m so empty I just can’t think of anything to say.
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You meet rich people and you hang around with them, and one night they've had a few drinks and they say 'I'll buy it!' Then they tell their friends, 'You must have this person's work, darling,' and that's all you need. That's all it takes. Get it?
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I will go to the Opening of Anything, including a Toilet Seat
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I'd rather do new stuff. The old stuff is better to talk about than to see. It always sounds better than it really is.
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Exposure and attention make a work famous - the more you talk about it, the more attention it gets, the more validity it achieves.
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I broke something and realized I should break something once a week to remind me how fragile life is.
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Andy Warhol: I think everybody should like everybody. Gene Swenson: Is that what Pop Art is all about? Andy Warhol: Yes, it's liking things.
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My fascination with letting images repeat and repeat or in film's case 'run on' manifests my belief that we spend much of our lives seeing without observing.
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A friend of mine always says, ‘Women love me for the man I’m not.’
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If there's ever a problem, I film it and it's no longer a problem. It's a film.
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The most beautiful thing in Tokyo is McDonald's. The most beautiful thing in Stockholm is McDonald's. The most beautiful thing in Florence is McDonald's. Peking and Moscow don't have anything beautiful yet.
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My idea of a good picture is one that's in focus and of a famous person.
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I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
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We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.
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