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If I'm playing a violin thing, for instance, I tend to respond to that sound with the way I finger.
Andy Summers
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Andy Summers
Age: 81
Born: 1942
Born: December 31
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Photographer
Instance
Fingers
Tend
Playing
Sound
Corny
Thing
Violin
Way
Finger
Respond
More quotes by Andy Summers
I think rock records tend to be very expensive.
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Aping what you've already done is just so dangerous and unrewarding.
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If you're 20 years old, you've grown up without buying albums.
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Start with the titles, and then build the music that goes with them.
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It accumulates over the years and I've led so many bands of my own now and forced myself into new situations... You would hope that you play better and better - until you just get too feeble to do it anymore.
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What you aim for, in the first place, is to be as good as you can possibly be. This is what I do, and I'm going to try to be the best in the world.
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Ive also just come off a year and a half playing acoustic shows which is fantastic for the hands, and changes your head a little bit.
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The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.
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I admire photographers who can take much more ordinarily subject matter and make it transcend that ordinariness, so that it becomes something else fresh and new. It opens this doorway. I really admire people who can do that with photography.
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For me, the guitar synthesizer is a great writing instrument.
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I don't like playing standards. I like to do my own cutting edge work.
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I've got four or five records in my head at a time that I try to work on and I would like to do a guitar trio record next - since The Police I've mostly made records with keyboards.
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What I wanted to do was play the guitar but I don't like instrumental rock. I think it is tripe.
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You don't want to be so far off the planet that you come out with something that doesn't make sense to anybody.
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I am pretty embroiled in moving on and moving forward with music.
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Actually, I think my hands are in the best shape they've ever been in terms of what I can do.
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There was a period when I'd just come out of college where I'd been playing classical guitar and I suddenly realised that it wasn't what I wanted to do with the rest of my life.
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If you're a guitarist, you should not be intimidated by using your instrument as a synthesizer, but you shouldn't feel that you have to own one, either.
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I don't have a great nostalgia for the past.
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I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
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