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If you're a guitarist, you should not be intimidated by using your instrument as a synthesizer, but you shouldn't feel that you have to own one, either.
Andy Summers
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Andy Summers
Age: 81
Born: 1942
Born: December 31
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Photographer
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Guitarist
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Intimidated
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More quotes by Andy Summers
I don't go out much to see bands. I prefer to be on stage.
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Of course the playing is important but writing and the establishing of what you are going for is prime too.
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You don't want to be so far off the planet that you come out with something that doesn't make sense to anybody.
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The thing about photography is, some people surround themselves with extremely strong subject matter. And unless you're a moron, you're going to get a really strong photograph.
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It's been very hard for the guitar as a serious synthesizer to compete with keyboards.
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It accumulates over the years and I've led so many bands of my own now and forced myself into new situations... You would hope that you play better and better - until you just get too feeble to do it anymore.
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It's exciting to see if you can create something that sounds, at least to your own ears, exciting.
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You come off of this screaming audience of many, many thousands of people. I used to find it very weird. You have two choices. Either you can stay and pump flesh with hundreds of people after the show, which really gets old, or you can come off stage, get into the car, and go straight out the back and away, back to the hotel.
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For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.
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There was a period when I'd just come out of college where I'd been playing classical guitar and I suddenly realised that it wasn't what I wanted to do with the rest of my life.
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'Triboluminescence' is actually a scientific world meaning striking something and creating light from dark. I thought it was a great word and that is was a very apt metaphor for making music - or any creative act, really. We all start in the dark and have to create light.
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I don't like playing standards. I like to do my own cutting edge work.
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More recently, I used guitar synthesizer extensively on the two albums I did with Robert Fripp.
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In The Police, in a trio situation - which I've come back to now - it's just so wide open that it does actually provide this arena where you can play with a certain freedom.
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It is not very practical in today’s world when you tour all over the place having a big band.
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I admire photographers who can take much more ordinarily subject matter and make it transcend that ordinariness, so that it becomes something else fresh and new. It opens this doorway. I really admire people who can do that with photography.
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I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.
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I am pretty embroiled in moving on and moving forward with music.
Andy Summers
I don't have a great nostalgia for the past.
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Usually, the best thing is when the band goes to the bar and gets the corner table, we sit there like kings, and then they bring people to us. It's just rock 'n' roll. It's stupid, really.
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