Quote

We stole their babes and mothers, chiefs and braves Although we held the whip, you knew we were The real slaves To alchemy, human alchemy.

Andy Partridge

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Andy Partridge
Age: 71
Born: 1953
Born: November 11
Guitarist
Musician
Record Producer
Singer
Songwriter
00046622682 IPI
Andrew John Partridge
Humans
Chiefs
Babes
Real
Held
Whip
Although
Stole
Slave
Alchemy
Brave
Whips
Knew
Babe
Mother
Slaves
Human
Mothers
Braves

More quotes by Andy Partridge

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Where I've arrived now is the product of mixing the very straight with the very exploratory there's a fine line between the two, although it tends to be getting straighter and straighter because my songwriting is getting better.
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Well I don't know how many pounds make up a ton, Of all the nobel prizes that I've never won, And I may be the mayor of simpleton, But I know one thing, And that's I love you.
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I leaned right over to kiss your stoney book A little jealous of the ships with whom you flirt A billion lovers with their cameras Snap to look and in my fantasy I sail beneath your skirt
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It was in San Diego and I was onstage and couldn't remember how to play the guitar properly. I was in terrible pain and my nervous system was just going wild, like somebody had just run a car over me.
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People will always be tempted to wipe their feet on anything with 'welcome' written on it.
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You know, I was such a big Beatles fan, and when I'd buy a new album I'd invariably hate it the first time I heard it 'cause it was a mixture of absolute joy and absolute frustration. I couldn't grasp what they'd done, and I'd hate myself for that.
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Ballet for a rainy day Silent film of melting miracle play Dancing out there through my window To the backdrop of a slow descending grey
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Other lands became a larder full of all the good things All we had to do was go and take Blood the colour of the rain that grew our wicked harvest Black the colour icing on our cake
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Brain gets bent, heart gets broken You can't jump off once the pages turn School is out but never over That's the only lesson you can learn
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I was getting Monkees Monthly and there was a competition to draw a Monkee. I did a caricature of Micky Dolenz and won 10 pounds-a fantastic sum of money for me then. I bought a secondhand tape recorder, which further launched me. They've been very responsible for me getting started.
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I actually think the creative process is finite, and I'm wondering whether I've retched everything up. Because it's like vomiting or shitting.
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Now I lay me down to sleep Knowing that your lenses peep Now I eat my daily bread And into the tape spool I'll be fed
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The early gigs were pretty panicky - and great, sweaty fun. We were brand new to most people, and they were willing to take anything brand new, for the first time in years.
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It's very schizophrenic because I like a lot of very straight pop, like Small Faces, Stones, Kinks and on the other hand, I like a lot of avant garde things.
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I'm a big kid. I never lost my childlike appreciation of things. Too many people lock it out and throw their toys away and say, okay, I'm gonna grow up and be grumpy and miserable and not think about the magical side of things anymore -- and I can't seem to stop doing that.
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Come English Settlement, I had it in my head that I didn't want to tour.
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Success is being nothing but a quote.
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I'm really interested in bands that sound nothing like anything I do or can do. That's what interests me.
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We did a gig at the Marquee and we were supposed to be paid five pounds but we never got it, and it cost us something like 10 pounds in petrol to get there to do it. So what we did was steal some equipment from The Marquee.
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If it's a good LP, you'll get that tingle that makes you put it on again no matter what your initial reaction was. On the other hand, if you don't get that tingle, you'd better take it straight down to the record exchange.
Andy Partridge