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I felt pressured by continuous touring.

Andy Partridge

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Andy Partridge
Age: 71
Born: 1953
Born: November 11
Guitarist
Musician
Record Producer
Singer
Songwriter
00046622682 IPI
Andrew John Partridge
Continuous
Touring
Felt
Pressured

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I've always liked the idea of improvised music. Improvised anything. It's what conversation is.
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For a heart without love is a song with no words And a tune to which no one is listening So your heart must give love and you'll find that You shine like rain on the leaves you'll be glistening.
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The early gigs were pretty panicky - and great, sweaty fun. We were brand new to most people, and they were willing to take anything brand new, for the first time in years.
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My parents, especially my mother, were no influence on me whatsoever.
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You know, I was such a big Beatles fan, and when I'd buy a new album I'd invariably hate it the first time I heard it 'cause it was a mixture of absolute joy and absolute frustration. I couldn't grasp what they'd done, and I'd hate myself for that.
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We do this for the art, not the adulation. I'd rather our music get liked and we get ignored. I don't want to be adored for anything other than the music.
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I believe the printed word is more than sacred Beyond the gauge of good or bad The human right to let your soul fly free and naked Above the violence of the fearful and sad
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Reign of blows cascading down upon your shoulders Far too many men dressed up as soldiers The lamb is brought to the ground Under the weight of the Crown A crown of thorns and dark deeds The swastika and the hammer and sickle Are symbols that reap only weeds
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I was getting Monkees Monthly and there was a competition to draw a Monkee. I did a caricature of Micky Dolenz and won 10 pounds-a fantastic sum of money for me then. I bought a secondhand tape recorder, which further launched me. They've been very responsible for me getting started.
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People will always be tempted to wipe their feet on anything with 'welcome' written on it.
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Will you tell them about that far off and mythical land And how a child to the virgin came? Will you tell them that the reason why we murdered Everything upon the surface of the world Is so we can stand right up and say we did it in his name?
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Ballet for a rainy day Silent film of melting miracle play Dancing out there through my window To the backdrop of a slow descending grey
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Brain gets bent, heart gets broken You can't jump off once the pages turn School is out but never over That's the only lesson you can learn
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I don't like touring and it seemed to be getting on top of me in a big way.
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We did a gig at the Marquee and we were supposed to be paid five pounds but we never got it, and it cost us something like 10 pounds in petrol to get there to do it. So what we did was steal some equipment from The Marquee.
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It's sort of what jazz would be if it stopped being snobby and what rock would be if it stopped being stupid.
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We stole their babes and mothers, chiefs and braves Although we held the whip, you knew we were The real slaves To alchemy, human alchemy.
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By the early '70s I had gotten reasonable and I started to get in hundreds of groups that rehearsed and never played at all. I mean, the most important thing was to look good and have a great name.
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Where I've arrived now is the product of mixing the very straight with the very exploratory there's a fine line between the two, although it tends to be getting straighter and straighter because my songwriting is getting better.
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I'm a big kid. I never lost my childlike appreciation of things. Too many people lock it out and throw their toys away and say, okay, I'm gonna grow up and be grumpy and miserable and not think about the magical side of things anymore -- and I can't seem to stop doing that.
Andy Partridge