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Come English Settlement, I had it in my head that I didn't want to tour.

Andy Partridge

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Andy Partridge
Age: 70
Born: 1953
Born: November 11
Guitarist
Musician
Record Producer
Singer
Songwriter
00046622682 IPI
Andrew John Partridge
Come
Settlement
Tour
English
Journey
Head
Didn

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Other lands became a larder full of all the good things All we had to do was go and take Blood the colour of the rain that grew our wicked harvest Black the colour icing on our cake
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I'm a big kid. I never lost my childlike appreciation of things. Too many people lock it out and throw their toys away and say, okay, I'm gonna grow up and be grumpy and miserable and not think about the magical side of things anymore -- and I can't seem to stop doing that.
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Where I've arrived now is the product of mixing the very straight with the very exploratory there's a fine line between the two, although it tends to be getting straighter and straighter because my songwriting is getting better.
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People will always be tempted to wipe their feet on anything with 'welcome' written on it.
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I believe the printed word is more than sacred Beyond the gauge of good or bad The human right to let your soul fly free and naked Above the violence of the fearful and sad
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It's sort of what jazz would be if it stopped being snobby and what rock would be if it stopped being stupid.
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It's very schizophrenic because I like a lot of very straight pop, like Small Faces, Stones, Kinks and on the other hand, I like a lot of avant garde things.
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Well I don't know how many pounds make up a ton, Of all the nobel prizes that I've never won, And I may be the mayor of simpleton, But I know one thing, And that's I love you.
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Now that I'm out and I'm shouting in doorways Freed from a love more like murder I should be singing but in liberation Feel like a ship with no rudder.
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I'm really interested in bands that sound nothing like anything I do or can do. That's what interests me.
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I've always liked the idea of improvised music. Improvised anything. It's what conversation is.
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I don't like touring and it seemed to be getting on top of me in a big way.
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If it's a good LP, you'll get that tingle that makes you put it on again no matter what your initial reaction was. On the other hand, if you don't get that tingle, you'd better take it straight down to the record exchange.
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My parents, especially my mother, were no influence on me whatsoever.
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I leaned right over to kiss your stoney book A little jealous of the ships with whom you flirt A billion lovers with their cameras Snap to look and in my fantasy I sail beneath your skirt
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I felt pressured by continuous touring.
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Ballet for a rainy day Silent film of melting miracle play Dancing out there through my window To the backdrop of a slow descending grey
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Reign of blows cascading down upon your shoulders Far too many men dressed up as soldiers The lamb is brought to the ground Under the weight of the Crown A crown of thorns and dark deeds The swastika and the hammer and sickle Are symbols that reap only weeds
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We stole their babes and mothers, chiefs and braves Although we held the whip, you knew we were The real slaves To alchemy, human alchemy.
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I actually think the creative process is finite, and I'm wondering whether I've retched everything up. Because it's like vomiting or shitting.
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