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I'm very fortunate to be able to do what I do and live the way I do.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Way
Fortunate
Able
Live

More quotes by Andy Goldsworthy

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If you've ever come across a tree that you've lived with for many years and then one day it's blown over, there's incredible shock and violence about that.
Andy Goldsworthy
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I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
Andy Goldsworthy
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I enjoy working in a quiet and subversive way.
Andy Goldsworthy
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Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
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Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
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If I'm going to understand the land, I have to understand the wind, the snow, the rain, the leaves, the ice, and changes in temperature. It just reflects a reality for me.
Andy Goldsworthy
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Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work.
Andy Goldsworthy
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In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.
Andy Goldsworthy
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Confrontation is something that I accept as part of the project though not its purpose.
Andy Goldsworthy
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Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.
Andy Goldsworthy
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Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Andy Goldsworthy
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Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.
Andy Goldsworthy
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I can't edit the materials I work with. My remit is to work with nature as a whole.
Andy Goldsworthy
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We often forget that we are nature.
Andy Goldsworthy
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The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Andy Goldsworthy
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Andy Goldsworthy
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I see my work plagiarized in gardening programmes and decorating programmes and car adverts, and I suppose I have to accept that's just the way art gets assimilated into culture.
Andy Goldsworthy
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I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
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We leave our presence in the pavement. We're walking over it, sitting on steps.
Andy Goldsworthy
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Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer.
Andy Goldsworthy