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Generally in New York, people just walk over you with no problem about that. Other countries, people want to resuscitate you, like, after a bit.
Andy Goldsworthy
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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
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Walks
Bits
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Resuscitate
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York
More quotes by Andy Goldsworthy
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.
Andy Goldsworthy
The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.
Andy Goldsworthy
At its most successful, my 'touch' looks into the heart of nature most days I don't even get close. These things are all part of a transient process that I cannot understand unless my touch is also transient - only in this way can the cycle remain unbroken and the process be complete.
Andy Goldsworthy
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
Andy Goldsworthy
A lot of my work is like picking potatoes you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
Andy Goldsworthy
The early firings contained many stones.
Andy Goldsworthy
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
Andy Goldsworthy
Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Andy Goldsworthy
I did tests on small stones before collecting and committing myself to the larger ones.
Andy Goldsworthy
People also leave presence in a place even when they are no longer there.
Andy Goldsworthy
I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.
Andy Goldsworthy
Design implies a sense of mapping something out and then you follow the plan.
Andy Goldsworthy
Beauty is what sustains things, although beauty is underwritten by pain and fear.
Andy Goldsworthy
My art recognizes the human place, the human context - especially in Britain, which is a landscape so worked by people for thousands of years, written, deeply ingrained with the presence of people.
Andy Goldsworthy
The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.
Andy Goldsworthy
The photography is not the aim of the work the articulation of the work through photography is another way of understanding what's going on and what's happening outside.
Andy Goldsworthy
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
Art is not a career - it's a life.
Andy Goldsworthy
People are the nature of the city, and you can feel it in the pavement.
Andy Goldsworthy