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People are the nature of the city, and you can feel it in the pavement.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Pavement
City
Cities
Nature
Feel
Feels
People

More quotes by Andy Goldsworthy

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Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.
Andy Goldsworthy
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It's just that when I work on someone else's land, it makes me aware of the social nature of that landscape.
Andy Goldsworthy
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One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.
Andy Goldsworthy
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I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
Andy Goldsworthy
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I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.
Andy Goldsworthy
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Andy Goldsworthy
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I did tests on small stones before collecting and committing myself to the larger ones.
Andy Goldsworthy
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Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
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If you repeat something, it can become pointless. Some things can repeat and be endlessly fascinating.
Andy Goldsworthy
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It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store.
Andy Goldsworthy
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My sculpture can last for days or a few seconds - what is important to me is the experience of making. I leave all my work outside and often return to watch it decay.
Andy Goldsworthy
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Not being able to touch is sometimes as interesting as being able to touch.
Andy Goldsworthy
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As you grow older you realize that art has an enormous effect. It's frightening sometimes to think of the effect that we can have.
Andy Goldsworthy
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I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
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I see my work plagiarized in gardening programmes and decorating programmes and car adverts, and I suppose I have to accept that's just the way art gets assimilated into culture.
Andy Goldsworthy
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Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.
Andy Goldsworthy
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The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break.
Andy Goldsworthy
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Design implies a sense of mapping something out and then you follow the plan.
Andy Goldsworthy
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Even in winter an isolated patch of snow has a special quality.
Andy Goldsworthy
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If I had to describe my work in one word, that word would be time.
Andy Goldsworthy