Quote

I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Adapt
Forever
Fashioned
Change
Dry
Kind
Britain
Always
Weather
Think
Changing
Thinking
Sun
Freezing
Fickle
Constant

More quotes by Andy Goldsworthy

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I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
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The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
Andy Goldsworthy
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There are occasions when I have moved boulders, but I'm reluctant to, especially ones that have been rooted in a place for many years.
Andy Goldsworthy
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I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.
Andy Goldsworthy
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Not being able to touch is sometimes as interesting as being able to touch.
Andy Goldsworthy
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Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.
Andy Goldsworthy
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The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.
Andy Goldsworthy
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We often forget that WE ARE NATURE. Nature is not something separate from us. So when we say that we have lost our connection to nature, we’ve lost our connection to ourselves.
Andy Goldsworthy
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The photography is not the aim of the work the articulation of the work through photography is another way of understanding what's going on and what's happening outside.
Andy Goldsworthy
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The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Andy Goldsworthy
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We often forget that we are nature.
Andy Goldsworthy
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The early firings contained many stones.
Andy Goldsworthy
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I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.
Andy Goldsworthy
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I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
Andy Goldsworthy
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The reason why the stone is red is its iron content, which is also why our blood is red.
Andy Goldsworthy
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Andy Goldsworthy
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When I make a work, I often take it to the very edge of its collapse, and that's a very beautiful balance.
Andy Goldsworthy
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It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store.
Andy Goldsworthy
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I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.
Andy Goldsworthy
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It's art that's taught me to think and to write.
Andy Goldsworthy