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I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Beyond
Growth
Tensions
Process
Farming
Two
Wood
Way
Tension
Stone
Woods
Stones

More quotes by Andy Goldsworthy

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The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.
Andy Goldsworthy
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When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.
Andy Goldsworthy
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I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
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The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
Andy Goldsworthy
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It's just that when I work on someone else's land, it makes me aware of the social nature of that landscape.
Andy Goldsworthy
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The essence of drawing is the line exploring space.
Andy Goldsworthy
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If you've ever come across a tree that you've lived with for many years and then one day it's blown over, there's incredible shock and violence about that.
Andy Goldsworthy
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There are occasions when I have moved boulders, but I'm reluctant to, especially ones that have been rooted in a place for many years.
Andy Goldsworthy
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Even in winter an isolated patch of snow has a special quality.
Andy Goldsworthy
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I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
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Generally in New York, people just walk over you with no problem about that. Other countries, people want to resuscitate you, like, after a bit.
Andy Goldsworthy
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The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.
Andy Goldsworthy
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I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
Andy Goldsworthy
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If you repeat something, it can become pointless. Some things can repeat and be endlessly fascinating.
Andy Goldsworthy
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Design implies a sense of mapping something out and then you follow the plan.
Andy Goldsworthy
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I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Andy Goldsworthy
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The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone.
Andy Goldsworthy
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I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.
Andy Goldsworthy
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A lot of my work is like picking potatoes you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
Andy Goldsworthy
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My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
Andy Goldsworthy