Quote

People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city.

Andy Goldsworthy

Change background

T
T
T

Change font

TAGS & TOPICS

Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
People
City
Urban
Works
Centre
Cities
Edge
Side
Edges
Sides
Miles
Five
Brought
Leeds
Done
Places
Realise
Many
Fields
Realising

More quotes by Andy Goldsworthy

Image
Snow provokes responses that reach right back to childhood.
Andy Goldsworthy
Image
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
Image
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
Image
If you lay in the rain, every rain shower, storm, whatever, is different. Every surface is different.
Andy Goldsworthy
Image
I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.
Andy Goldsworthy
Image
I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.
Andy Goldsworthy
Image
I'm not a performer, in that I don't like the public, but I work in that respect.
Andy Goldsworthy
Image
There are occasions when I have moved boulders, but I'm reluctant to, especially ones that have been rooted in a place for many years.
Andy Goldsworthy
Image
The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.
Andy Goldsworthy
Image
As you grow older you realize that art has an enormous effect. It's frightening sometimes to think of the effect that we can have.
Andy Goldsworthy
Image
The essence of drawing is the line exploring space.
Andy Goldsworthy
Image
Complete control can be the death of a work.
Andy Goldsworthy
Image
In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.
Andy Goldsworthy
Image
I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Andy Goldsworthy
Image
I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense.
Andy Goldsworthy
Image
The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone.
Andy Goldsworthy
Image
My work comes first, reasons for it follow.
Andy Goldsworthy
Image
Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
Image
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
Andy Goldsworthy
Image
I see my work plagiarized in gardening programmes and decorating programmes and car adverts, and I suppose I have to accept that's just the way art gets assimilated into culture.
Andy Goldsworthy