Quote

I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Bigs
Expensive
Cannot
Heat
Wasteful
Necessarily
Repeated
Stones
Realised
Soon
Required
Amount
Scale
Small
Larger
Happened
Scales

More quotes by Andy Goldsworthy

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The photography is not the aim of the work the articulation of the work through photography is another way of understanding what's going on and what's happening outside.
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If you've ever come across a tree that you've lived with for many years and then one day it's blown over, there's incredible shock and violence about that.
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People are the nature of the city, and you can feel it in the pavement.
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The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.
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I take the opportunity each day offers.
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I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
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I'm not a performer, in that I don't like the public, but I work in that respect.
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People also leave presence in a place even when they are no longer there.
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I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is now running water, which would've washed me away, you know? There's that power and danger often in places that look so calm and pastoral to begin with.
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The early firings contained many stones.
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My sculpture can last for days or a few seconds - what is important to me is the experience of making. I leave all my work outside and often return to watch it decay.
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Not being able to touch is sometimes as interesting as being able to touch.
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There are occasions when I have moved boulders, but I'm reluctant to, especially ones that have been rooted in a place for many years.
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Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
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One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.
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A lot of my work is like picking potatoes you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
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The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
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Ideas must be put to the test. That's why we make things otherwise they would be no more than ideas. There is often a huge difference between an idea and its realization. I've had what I thought were great ideas that just didn't work.
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Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
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