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I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Andy Goldsworthy
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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Small
Larger
Happened
Scales
Bigs
Expensive
Cannot
Heat
Wasteful
Necessarily
Repeated
Stones
Realised
Soon
Required
Amount
Scale
More quotes by Andy Goldsworthy
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
Generally in New York, people just walk over you with no problem about that. Other countries, people want to resuscitate you, like, after a bit.
Andy Goldsworthy
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
Andy Goldsworthy
I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense.
Andy Goldsworthy
If you've ever come across a tree that you've lived with for many years and then one day it's blown over, there's incredible shock and violence about that.
Andy Goldsworthy
Everything has the energy of its making inside it.
Andy Goldsworthy
I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.
Andy Goldsworthy
If you lay in the rain, every rain shower, storm, whatever, is different. Every surface is different.
Andy Goldsworthy
I did tests on small stones before collecting and committing myself to the larger ones.
Andy Goldsworthy
Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.
Andy Goldsworthy
I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
Andy Goldsworthy
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
Andy Goldsworthy
I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.
Andy Goldsworthy
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Andy Goldsworthy
I can't edit the materials I work with. My remit is to work with nature as a whole.
Andy Goldsworthy
The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.
Andy Goldsworthy
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
Andy Goldsworthy
I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.
Andy Goldsworthy
The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.
Andy Goldsworthy
