Quote

I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.

Andy Goldsworthy

Change background

T
T
T

Change font

TAGS & TOPICS

Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Image
Worked
Objects
Working
Else
Experiencing
Anything
Final
Work
Finals
Object

More quotes by Andy Goldsworthy

Image
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
Andy Goldsworthy
Image
Sometimes you need to stop doing something to really see it afresh.
Andy Goldsworthy
Image
My sculpture can last for days or a few seconds - what is important to me is the experience of making. I leave all my work outside and often return to watch it decay.
Andy Goldsworthy
Image
A lot of my work is like picking potatoes you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
Andy Goldsworthy
Image
A stone is ingrained with geological and historical memories.
Andy Goldsworthy
Image
I take the opportunity each day offers.
Andy Goldsworthy
Image
The early firings contained many stones.
Andy Goldsworthy
Image
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
Image
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
Image
One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.
Andy Goldsworthy
Image
People are the nature of the city, and you can feel it in the pavement.
Andy Goldsworthy
Image
When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.
Andy Goldsworthy
Image
I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Andy Goldsworthy
Image
I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
Andy Goldsworthy
Image
If I had to describe my work in one word, that word would be time.
Andy Goldsworthy
Image
There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.
Andy Goldsworthy
Image
My art recognizes the human place, the human context - especially in Britain, which is a landscape so worked by people for thousands of years, written, deeply ingrained with the presence of people.
Andy Goldsworthy
Image
In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.
Andy Goldsworthy
Image
The essence of drawing is the line exploring space.
Andy Goldsworthy
Image
As you grow older you realize that art has an enormous effect. It's frightening sometimes to think of the effect that we can have.
Andy Goldsworthy