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If I'm going to understand the land, I have to understand the wind, the snow, the rain, the leaves, the ice, and changes in temperature. It just reflects a reality for me.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Going
Snow
Leaves
Rain
Changes
Wind
Land
Reflects
Understand
Temperature
Reality
Ice

More quotes by Andy Goldsworthy

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I knew the tree when it grew, and the tree is now gone. The farmers cut it up, and it's become firewood. And there's this tremendous sense of absence and shock and violence attendant to that collapsing tree.
Andy Goldsworthy
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If you've ever come across a tree that you've lived with for many years and then one day it's blown over, there's incredible shock and violence about that.
Andy Goldsworthy
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Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer.
Andy Goldsworthy
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I enjoy working in a quiet and subversive way.
Andy Goldsworthy
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The process of growth is obviously critical to my understanding of the land and myself. So the process is far more unpredictable with far more compromises with the day, the weather, the material.
Andy Goldsworthy
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I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.
Andy Goldsworthy
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Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
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I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
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A lot of my work is like picking potatoes you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
Andy Goldsworthy
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I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
Andy Goldsworthy
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Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.
Andy Goldsworthy
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I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Andy Goldsworthy
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Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
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People also leave presence in a place even when they are no longer there.
Andy Goldsworthy
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I see my work plagiarized in gardening programmes and decorating programmes and car adverts, and I suppose I have to accept that's just the way art gets assimilated into culture.
Andy Goldsworthy
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Confrontation is something that I accept as part of the project though not its purpose.
Andy Goldsworthy
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Ideas must be put to the test. That's why we make things otherwise they would be no more than ideas. There is often a huge difference between an idea and its realization. I've had what I thought were great ideas that just didn't work.
Andy Goldsworthy
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I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.
Andy Goldsworthy
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One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.
Andy Goldsworthy
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I take the opportunity each day offers.
Andy Goldsworthy