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My work comes first, reasons for it follow.
Andy Goldsworthy
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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Comes
Reason
Firsts
First
Work
Reasons
Follow
More quotes by Andy Goldsworthy
Snow provokes responses that reach right back to childhood.
Andy Goldsworthy
There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.
Andy Goldsworthy
The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.
Andy Goldsworthy
The process of growth is obviously critical to my understanding of the land and myself. So the process is far more unpredictable with far more compromises with the day, the weather, the material.
Andy Goldsworthy
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
Andy Goldsworthy
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work.
Andy Goldsworthy
I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Andy Goldsworthy
I'm very fortunate to be able to do what I do and live the way I do.
Andy Goldsworthy
It's frightening and unnerving to watch a stone melt.
Andy Goldsworthy
We often forget that we are nature.
Andy Goldsworthy
If I had to describe my work in one word, that word would be time.
Andy Goldsworthy
Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.
Andy Goldsworthy
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
Andy Goldsworthy
Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
It's just that when I work on someone else's land, it makes me aware of the social nature of that landscape.
Andy Goldsworthy
Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.
Andy Goldsworthy
I enjoy working in a quiet and subversive way.
Andy Goldsworthy
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
Andy Goldsworthy