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I see my work plagiarized in gardening programmes and decorating programmes and car adverts, and I suppose I have to accept that's just the way art gets assimilated into culture.
Andy Goldsworthy
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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Car
Accept
Assimilated
Gets
Adverts
Accepting
Plagiarism
Culture
Decorating
Art
Programmes
Work
Gardening
Way
Suppose
More quotes by Andy Goldsworthy
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Andy Goldsworthy
I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
Andy Goldsworthy
People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city.
Andy Goldsworthy
I did tests on small stones before collecting and committing myself to the larger ones.
Andy Goldsworthy
Design implies a sense of mapping something out and then you follow the plan.
Andy Goldsworthy
Beauty is what sustains things, although beauty is underwritten by pain and fear.
Andy Goldsworthy
Even in winter an isolated patch of snow has a special quality.
Andy Goldsworthy
The early firings contained many stones.
Andy Goldsworthy
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
A stone is ingrained with geological and historical memories.
Andy Goldsworthy
Confrontation is something that I accept as part of the project though not its purpose.
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Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
It's just that when I work on someone else's land, it makes me aware of the social nature of that landscape.
Andy Goldsworthy
I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
Andy Goldsworthy
The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.
Andy Goldsworthy
There is life in a stone. Any stone that sits in a field or lies on a beach takes on the memory of that place. You can feel that stones have witnessed so many things.
Andy Goldsworthy
Snow provokes responses that reach right back to childhood.
Andy Goldsworthy
Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.
Andy Goldsworthy
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
Everything has the energy of its making inside it.
Andy Goldsworthy