Quote

It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Hours
Stores
Artist
Snow
Thaw
Three
Six
Snowball
Also
Lead
Depending
Work
Journey
Tense
Make
Cold
Wet
Takes
Store
Quality
Quick

More quotes by Andy Goldsworthy

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The essence of drawing is the line exploring space.
Andy Goldsworthy
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The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
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I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
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Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
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I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.
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The early firings contained many stones.
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If you've ever come across a tree that you've lived with for many years and then one day it's blown over, there's incredible shock and violence about that.
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Design implies a sense of mapping something out and then you follow the plan.
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If you lay in the rain, every rain shower, storm, whatever, is different. Every surface is different.
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I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
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Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work.
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Ideas must be put to the test. That's why we make things otherwise they would be no more than ideas. There is often a huge difference between an idea and its realization. I've had what I thought were great ideas that just didn't work.
Andy Goldsworthy
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I can't edit the materials I work with. My remit is to work with nature as a whole.
Andy Goldsworthy
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I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.
Andy Goldsworthy
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When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.
Andy Goldsworthy
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We leave our presence in the pavement. We're walking over it, sitting on steps.
Andy Goldsworthy
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Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.
Andy Goldsworthy
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There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.
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I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
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I'm very fortunate to be able to do what I do and live the way I do.
Andy Goldsworthy