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The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Deep
Artist
Mother
Firsts
First
Froze
Snowball
Freeze
Early

More quotes by Andy Goldsworthy

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I'm very fortunate to be able to do what I do and live the way I do.
Andy Goldsworthy
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If I had to describe my work in one word, that word would be time.
Andy Goldsworthy
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I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.
Andy Goldsworthy
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The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
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Complete control can be the death of a work.
Andy Goldsworthy
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I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
Andy Goldsworthy
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Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
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The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.
Andy Goldsworthy
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You must have something new in a landscape as well as something old, something that's dying and something that's being born.
Andy Goldsworthy
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People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city.
Andy Goldsworthy
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Everything has the energy of its making inside it.
Andy Goldsworthy
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Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Andy Goldsworthy
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Snow provokes responses that reach right back to childhood.
Andy Goldsworthy
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Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.
Andy Goldsworthy
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My sculpture can last for days or a few seconds - what is important to me is the experience of making. I leave all my work outside and often return to watch it decay.
Andy Goldsworthy
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Even in winter an isolated patch of snow has a special quality.
Andy Goldsworthy
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Generally in New York, people just walk over you with no problem about that. Other countries, people want to resuscitate you, like, after a bit.
Andy Goldsworthy
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If I'm going to understand the land, I have to understand the wind, the snow, the rain, the leaves, the ice, and changes in temperature. It just reflects a reality for me.
Andy Goldsworthy
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Winter makes a bridge between one year and another and, in this case, one century and the next.
Andy Goldsworthy
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The process of growth is obviously critical to my understanding of the land and myself. So the process is far more unpredictable with far more compromises with the day, the weather, the material.
Andy Goldsworthy