Quote

Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.

Andy Goldsworthy

Change background

T
T
T

Change font

TAGS & TOPICS

Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Possible
Downsizing
Artist
Reconstruction
Form
Fired
Stills
Mentally
Still
Stone
Originals
Original
Kiln
Stones
Reconstruct

More quotes by Andy Goldsworthy

Image
Confrontation is something that I accept as part of the project though not its purpose.
Andy Goldsworthy
Image
The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break.
Andy Goldsworthy
Image
We leave our presence in the pavement. We're walking over it, sitting on steps.
Andy Goldsworthy
Image
Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
Image
A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels.
Andy Goldsworthy
Image
I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.
Andy Goldsworthy
Image
Not being able to touch is sometimes as interesting as being able to touch.
Andy Goldsworthy
Image
I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.
Andy Goldsworthy
Image
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
Image
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
Image
The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below.
Andy Goldsworthy
Image
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Andy Goldsworthy
Image
The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
Andy Goldsworthy
Image
There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.
Andy Goldsworthy
Image
Art for me is a form of nourishment. I need the land. I need it.
Andy Goldsworthy
Image
When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.
Andy Goldsworthy
Image
Art is not a career - it's a life.
Andy Goldsworthy
Image
The essence of drawing is the line exploring space.
Andy Goldsworthy
Image
I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
Andy Goldsworthy
Image
I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.
Andy Goldsworthy