Quote

Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.

Andy Goldsworthy

Change background

T
T
T

Change font

TAGS & TOPICS

Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Outside
Lying
Making
Art
Ephemeral
Must
Kept
Work
Core
Made
Private
Lies

More quotes by Andy Goldsworthy

Image
Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
Image
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
Image
I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
Andy Goldsworthy
Image
I can't edit the materials I work with. My remit is to work with nature as a whole.
Andy Goldsworthy
Image
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
Andy Goldsworthy
Image
When I make a work, I often take it to the very edge of its collapse, and that's a very beautiful balance.
Andy Goldsworthy
Image
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
Andy Goldsworthy
Image
Art is not a career - it's a life.
Andy Goldsworthy
Image
Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work.
Andy Goldsworthy
Image
I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
Andy Goldsworthy
Image
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
Andy Goldsworthy
Image
Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.
Andy Goldsworthy
Image
The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break.
Andy Goldsworthy
Image
I take the opportunity each day offers.
Andy Goldsworthy
Image
I soon realised that what had happened on a small scale cannot necessarily be repeated on a larger scale. The stones were so big that the amount of heat required was prohibitively expensive and wasteful.
Andy Goldsworthy
Image
Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.
Andy Goldsworthy
Image
We often forget that we are nature.
Andy Goldsworthy
Image
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.
Andy Goldsworthy
Image
People are the nature of the city, and you can feel it in the pavement.
Andy Goldsworthy
Image
Confrontation is something that I accept as part of the project though not its purpose.
Andy Goldsworthy