Quote

Art for me is a form of nourishment. I need the land. I need it.

Andy Goldsworthy

Change background

T
T
T

Change font

TAGS & TOPICS

Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Nourishment
Land
Art
Form
Need
Needs

More quotes by Andy Goldsworthy

Image
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
Andy Goldsworthy
Image
Snow provokes responses that reach right back to childhood.
Andy Goldsworthy
Image
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
Andy Goldsworthy
Image
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
Image
I see my work plagiarized in gardening programmes and decorating programmes and car adverts, and I suppose I have to accept that's just the way art gets assimilated into culture.
Andy Goldsworthy
Image
The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Andy Goldsworthy
Image
The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.
Andy Goldsworthy
Image
When I make a work, I often take it to the very edge of its collapse, and that's a very beautiful balance.
Andy Goldsworthy
Image
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
Image
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
Andy Goldsworthy
Image
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
Andy Goldsworthy
Image
The process of growth is obviously critical to my understanding of the land and myself. So the process is far more unpredictable with far more compromises with the day, the weather, the material.
Andy Goldsworthy
Image
I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
Andy Goldsworthy
Image
If I had to describe my work in one word, that word would be time.
Andy Goldsworthy
Image
It's frightening and unnerving to watch a stone melt.
Andy Goldsworthy
Image
We leave our presence in the pavement. We're walking over it, sitting on steps.
Andy Goldsworthy
Image
The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.
Andy Goldsworthy
Image
The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
Andy Goldsworthy
Image
In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.
Andy Goldsworthy
Image
I can't edit the materials I work with. My remit is to work with nature as a whole.
Andy Goldsworthy