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The early firings contained many stones.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Stones
Early
Artist
Many
Firing
Contained

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Winter makes a bridge between one year and another and, in this case, one century and the next.
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The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone.
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One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.
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Art is not a career - it's a life.
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Ideas must be put to the test. That's why we make things otherwise they would be no more than ideas. There is often a huge difference between an idea and its realization. I've had what I thought were great ideas that just didn't work.
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Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work.
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Not being able to touch is sometimes as interesting as being able to touch.
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If I had to describe my work in one word, that word would be time.
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Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.
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There is life in a stone. Any stone that sits in a field or lies on a beach takes on the memory of that place. You can feel that stones have witnessed so many things.
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We often forget that WE ARE NATURE. Nature is not something separate from us. So when we say that we have lost our connection to nature, we’ve lost our connection to ourselves.
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
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I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
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I'm not a performer, in that I don't like the public, but I work in that respect.
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The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
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The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.
Andy Goldsworthy
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Beauty is what sustains things, although beauty is underwritten by pain and fear.
Andy Goldsworthy
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Even in winter an isolated patch of snow has a special quality.
Andy Goldsworthy
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People are the nature of the city, and you can feel it in the pavement.
Andy Goldsworthy
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The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.
Andy Goldsworthy