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The early firings contained many stones.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Early
Artist
Many
Firing
Contained
Stones

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Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
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When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.
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I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is now running water, which would've washed me away, you know? There's that power and danger often in places that look so calm and pastoral to begin with.
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Confrontation is something that I accept as part of the project though not its purpose.
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We often forget that we are nature.
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We leave our presence in the pavement. We're walking over it, sitting on steps.
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
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I'm not a performer, in that I don't like the public, but I work in that respect.
Andy Goldsworthy
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The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone.
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Beauty is what sustains things, although beauty is underwritten by pain and fear.
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The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break.
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If you've ever come across a tree that you've lived with for many years and then one day it's blown over, there's incredible shock and violence about that.
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The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
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Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
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The essence of drawing is the line exploring space.
Andy Goldsworthy
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Design implies a sense of mapping something out and then you follow the plan.
Andy Goldsworthy
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Ideas must be put to the test. That's why we make things otherwise they would be no more than ideas. There is often a huge difference between an idea and its realization. I've had what I thought were great ideas that just didn't work.
Andy Goldsworthy
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Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
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I knew the tree when it grew, and the tree is now gone. The farmers cut it up, and it's become firewood. And there's this tremendous sense of absence and shock and violence attendant to that collapsing tree.
Andy Goldsworthy
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I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
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