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Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Andy Goldsworthy
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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Work
Helps
Made
Clearly
Way
Putting
Inspiring
Distance
Photography
Helping
Sometimes
More quotes by Andy Goldsworthy
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
Andy Goldsworthy
The stones tear like flesh, rather than breaking. Although what happens is violent, it is a violence that is in stone. A tear is more unnerving than a break.
Andy Goldsworthy
Some of the snowballs have a kind of animal energy. Not just because of the materials inside them, but in the way that they appear caged, captured.
Andy Goldsworthy
I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.
Andy Goldsworthy
One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.
Andy Goldsworthy
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
Art for me is a form of nourishment. I need the land. I need it.
Andy Goldsworthy
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
Andy Goldsworthy
Nature, for me is raw and dangerous and difficult and beautiful and unnerving.
Andy Goldsworthy
It's frightening and unnerving to watch a stone melt.
Andy Goldsworthy
We leave our presence in the pavement. We're walking over it, sitting on steps.
Andy Goldsworthy
Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work.
Andy Goldsworthy
Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Andy Goldsworthy
If I'm going to understand the land, I have to understand the wind, the snow, the rain, the leaves, the ice, and changes in temperature. It just reflects a reality for me.
Andy Goldsworthy
I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.
Andy Goldsworthy
Sometimes you need to stop doing something to really see it afresh.
Andy Goldsworthy
People also leave presence in a place even when they are no longer there.
Andy Goldsworthy
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
Andy Goldsworthy
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
Andy Goldsworthy