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Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Artist
Split
Every
Splits
Abandoned
Exploded
Stones
Debris
Elements
Checked
Leave
Explosion
Worst
Firing
Often
Explosions

More quotes by Andy Goldsworthy

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The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.
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The essence of drawing is the line exploring space.
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The British climate, although it is very wet, it is quite mild in winter. We don't get these severe - generally don't get severe winters.
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My art recognizes the human place, the human context - especially in Britain, which is a landscape so worked by people for thousands of years, written, deeply ingrained with the presence of people.
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The reason why the stone is red is its iron content, which is also why our blood is red.
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If I'm going to understand the land, I have to understand the wind, the snow, the rain, the leaves, the ice, and changes in temperature. It just reflects a reality for me.
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I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
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I'm very fortunate to be able to do what I do and live the way I do.
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We often forget that WE ARE NATURE. Nature is not something separate from us. So when we say that we have lost our connection to nature, we’ve lost our connection to ourselves.
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The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below.
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Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer.
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Movement, change, light, growth, and decay are the life-blood of nature, the energies that I try to tap through my work.
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When I make a work, I often take it to the very edge of its collapse, and that's a very beautiful balance.
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As you grow older you realize that art has an enormous effect. It's frightening sometimes to think of the effect that we can have.
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I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is now running water, which would've washed me away, you know? There's that power and danger often in places that look so calm and pastoral to begin with.
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It's frightening and unnerving to watch a stone melt.
Andy Goldsworthy
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I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
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Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
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Sometimes you need to stop doing something to really see it afresh.
Andy Goldsworthy