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Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.
Andy Goldsworthy
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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Often
Explosions
Artist
Split
Every
Splits
Abandoned
Exploded
Stones
Debris
Elements
Checked
Leave
Explosion
Worst
Firing
More quotes by Andy Goldsworthy
I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.
Andy Goldsworthy
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.
Andy Goldsworthy
The photography is not the aim of the work the articulation of the work through photography is another way of understanding what's going on and what's happening outside.
Andy Goldsworthy
Complete control can be the death of a work.
Andy Goldsworthy
Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.
Andy Goldsworthy
My art recognizes the human place, the human context - especially in Britain, which is a landscape so worked by people for thousands of years, written, deeply ingrained with the presence of people.
Andy Goldsworthy
Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Andy Goldsworthy
I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.
Andy Goldsworthy
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
Andy Goldsworthy
A lot of my work is like picking potatoes you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
Andy Goldsworthy
I'm not a performer, in that I don't like the public, but I work in that respect.
Andy Goldsworthy
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.
Andy Goldsworthy
Confrontation is something that I accept as part of the project though not its purpose.
Andy Goldsworthy
If I had to describe my work in one word, that word would be time.
Andy Goldsworthy
Beauty is what sustains things, although beauty is underwritten by pain and fear.
Andy Goldsworthy
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
Andy Goldsworthy
I can't edit the materials I work with. My remit is to work with nature as a whole. I find nature as a whole disturbing. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.
Andy Goldsworthy
I knew the tree when it grew, and the tree is now gone. The farmers cut it up, and it's become firewood. And there's this tremendous sense of absence and shock and violence attendant to that collapsing tree.
Andy Goldsworthy
When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.
Andy Goldsworthy