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Snow provokes responses that reach right back to childhood.

Andy Goldsworthy

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Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Back
Provokes
Right
Responses
Provoking
Snow
Winter
Response
Reach
Childhood

More quotes by Andy Goldsworthy

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Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
Andy Goldsworthy
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I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.
Andy Goldsworthy
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I'm dealing with the most important things there are: life and nature. If this doesn't work, if this doesn't sustain me, I can't go back to nature. I'm right there. There's nowhere to go, and that frightens me.
Andy Goldsworthy
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I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.
Andy Goldsworthy
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The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
Andy Goldsworthy
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Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.
Andy Goldsworthy
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Understanding the materials I work with... gives me a deeper understanding of my place. And it's helped me make sense of the changes that are happening to me as I grow older.
Andy Goldsworthy
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Confrontation is something that I accept as part of the project though not its purpose.
Andy Goldsworthy
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In contact with materials, I can see so much more with my hands than I can just with my eyes. I'm a participant, not a spectator. I see myself both as an object and a material, and the human presence is really important to the landscapes in which I work.
Andy Goldsworthy
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It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store.
Andy Goldsworthy
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The reason why the stone is red is its iron content, which is also why our blood is red.
Andy Goldsworthy
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Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Andy Goldsworthy
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I have six acres in front of my own house, which I very rarely work on. Most of the work occurs on farmers' fields around me. And I like the discipline of working on other people's land.
Andy Goldsworthy
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I enjoy working in a quiet and subversive way.
Andy Goldsworthy
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I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is now running water, which would've washed me away, you know? There's that power and danger often in places that look so calm and pastoral to begin with.
Andy Goldsworthy
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I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
Andy Goldsworthy
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Art is not a career - it's a life.
Andy Goldsworthy
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The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
Andy Goldsworthy
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People also leave presence in a place even when they are no longer there.
Andy Goldsworthy
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There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.
Andy Goldsworthy