Quote

Snow provokes responses that reach right back to childhood.

Andy Goldsworthy

Change background

T
T
T

Change font

TAGS & TOPICS

Andy Goldsworthy
Age: 68
Born: 1956
Born: July 25
Artist
Environmental Artist
Environmentalist
Land Artist
Photographer
Sculptor
County Palatine of Chester
Andi Gōruzuwājī
Andrew Goldsworthy
Provoking
Snow
Winter
Response
Reach
Childhood
Back
Provokes
Right
Responses

More quotes by Andy Goldsworthy

Image
Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.
Andy Goldsworthy
Image
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.
Andy Goldsworthy
Image
When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.
Andy Goldsworthy
Image
The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.
Andy Goldsworthy
Image
I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.
Andy Goldsworthy
Image
I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.
Andy Goldsworthy
Image
The hardened mass of liquid stones had much stronger qualities than those which had simply torn. The skin remained a recognisable part of the molten stone.
Andy Goldsworthy
Image
Fire is the origin of stone.By working the stone with heat, I am returning it to its source.
Andy Goldsworthy
Image
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
Andy Goldsworthy
Image
Confrontation is something that I accept as part of the project though not its purpose.
Andy Goldsworthy
Image
It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store.
Andy Goldsworthy
Image
I have six acres in front of my own house, which I very rarely work on. Most of the work occurs on farmers' fields around me. And I like the discipline of working on other people's land.
Andy Goldsworthy
Image
Ideas must be put to the test. That's why we make things otherwise they would be no more than ideas. There is often a huge difference between an idea and its realization. I've had what I thought were great ideas that just didn't work.
Andy Goldsworthy
Image
Not being able to touch is sometimes as interesting as being able to touch.
Andy Goldsworthy
Image
I knew the tree when it grew, and the tree is now gone. The farmers cut it up, and it's become firewood. And there's this tremendous sense of absence and shock and violence attendant to that collapsing tree.
Andy Goldsworthy
Image
The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.
Andy Goldsworthy
Image
I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense.
Andy Goldsworthy
Image
I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is now running water, which would've washed me away, you know? There's that power and danger often in places that look so calm and pastoral to begin with.
Andy Goldsworthy
Image
When I make a work, I often take it to the very edge of its collapse, and that's a very beautiful balance.
Andy Goldsworthy
Image
Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer.
Andy Goldsworthy