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I have a troubled relationship with Hunter S. Thompson, not just because he kicked me out of a bar but also because it's become clear to me that he was not a good person.

Andy Daly

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Andy Daly
Age: 53
Born: 1971
Born: April 15
Actor
Comedian
Screenwriter
Television Actor
Westchester County
New York
Andy Daly
Forrest MacNeil
Cactus Tony
Hunters
Good
Bars
Relationship
Clear
Become
Thompson
Hunter
Also
Kicked
Persons
Troubled
Person

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If there's one big thing you can take from Amy Poehler as a performer, it's committing, full on.
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It's great fun to memorize somebody's biography, and then liberally play with the real facts of their life and go a step beyond reality.
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There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.
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I prefer not to wink out from behind the character as myself, saying to the audience, It's just me here, right, guys? Peter Sellers is my model, and he didn't do that - he wore his character from head to toe.
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I really enjoy just being an actor. It's fun to be surprised by someone else's writing and to collaborate in creating a character and to leave all the hard decision-making to some other room full of suckers!
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If anything, in the podcast world, I'm relieved that I don't have to dress like the character. I don't necessarily have to do all of the physicality that conveys the character, but do as much as I need to help me feel like the character.
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I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.
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There wasn't a persona or an attitude that I could reliably write good stuff from.There wasn't a persona or an attitude that I could reliably write good stuff from.
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When you're in front of an audience, you know if it didn't work. I get very nervous and have a fear of failure that is much more profound than in the podcast world.
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I probably have the most fun on projects where there's some room to improvise.
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I have a couple of ideas for shows that I would love to bring to fruition in some way at some point.
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In sketch comedy, wear your character like a hat, not a suit of armor.
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When you're coming up with your philosophy and approach to performing comedy, you take special note of the things you disagree with as much as the things you agree with.
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It's hard for me to shut off my writer brain completely.
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I think Comedy Central and probably all channels are on their way toward being apps accessible on whatever the Roku of the future is.
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It's fun to play someone who seems evil and to reveal their vulnerabilities.
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There were times that I would be drunk and just leave a place by myself because I had an impulse and wasn't thinking through the repercussions on others.
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I like it when shows end intentionally, and Review, especially, has such a long form narrative that it feels like you need to give it a thoughtfully constructed finale.
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I can't say the connection is one I've made consciously, but quitting drinking allowed me to be less selfish. My wife would definitely say that one of the major benefits of me quitting drinking is that I have more time and focus for other people.
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You ought to be able to wear your character like a Lycra bodysuit.
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