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There were times that I would be drunk and just leave a place by myself because I had an impulse and wasn't thinking through the repercussions on others.

Andy Daly

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Andy Daly
Age: 53
Born: 1971
Born: April 15
Actor
Comedian
Screenwriter
Television Actor
Westchester County
New York
Andy Daly
Forrest MacNeil
Cactus Tony
Thinking
Impulse
Drunk
Leave
Wasn
Times
Others
Place
Would
Repercussions

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I am, like anybody else, full of contradictions and personality traits, and I don't know which ones to speak from as a stand-up or what aspects of myself to ask an audience to identify with.
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There wasn't a persona or an attitude that I could reliably write good stuff from.There wasn't a persona or an attitude that I could reliably write good stuff from.
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I have a troubled relationship with Hunter S. Thompson, not just because he kicked me out of a bar but also because it's become clear to me that he was not a good person.
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If anything, in the podcast world, I'm relieved that I don't have to dress like the character. I don't necessarily have to do all of the physicality that conveys the character, but do as much as I need to help me feel like the character.
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I can't say the connection is one I've made consciously, but quitting drinking allowed me to be less selfish. My wife would definitely say that one of the major benefits of me quitting drinking is that I have more time and focus for other people.
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I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.
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It's great fun to memorize somebody's biography, and then liberally play with the real facts of their life and go a step beyond reality.
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It's fun to play someone who seems evil and to reveal their vulnerabilities.
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It's hard for me to shut off my writer brain completely.
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I like it when shows end intentionally, and Review, especially, has such a long form narrative that it feels like you need to give it a thoughtfully constructed finale.
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I have a couple of ideas for shows that I would love to bring to fruition in some way at some point.
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There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.
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You ought to be able to wear your character like a Lycra bodysuit.
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