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Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.

Andrzej Wajda

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Andrzej Wajda
Age: 90 †
Born: 1926
Born: March 6
Died: 2016
Died: October 9
Director
Film Director
Film Producer
Politician
Screenwriter
Television Director
Theatrical Director
Andrzej Witold Wajda
Adaptation
Rely
Scripts
Theatre
Television
Name
Written
Adaptations
Names
Implied

More quotes by Andrzej Wajda

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Cinemas gained new young audiences who wanted films made for them.
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As I said earlier, there are no writers who could create a literary vision of the new reality.
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A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking.
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In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one.
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At the same time, television theatre became more visibly active.
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It was progressively more difficult to find work in the theatre, as well.
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It turned out that the country was helpless in the face of a new reality.
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In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically.
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On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
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However, that old mode of Polish filmmaking virtually disappeared.
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On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
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In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
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There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers.
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When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.
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Why does there exist a global American entertainment industry, but there isn't an equivalent coming from France or Italy? This is the case simply because the English language opens the whole world to the American cinema.
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Films made in the spirit of the past continued to be made.
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Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represented only to a minuscule degree in the last 12 years.
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The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.
Andrzej Wajda
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By dint of that concern and because that society was willing to examine its particular reality, Solidarity could come into existence.
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Also a great part of Polish industry proved to have existed only to support the Soviet military industry, and it became superfluous and incapable of being transformed into anything else. We did not foresee that or the magnitude of these phenomena.
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