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There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers.

Andrzej Wajda

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Andrzej Wajda
Age: 90 †
Born: 1926
Born: March 6
Died: 2016
Died: October 9
Director
Film Director
Film Producer
Politician
Screenwriter
Television Director
Theatrical Director
Andrzej Witold Wajda
Film
Sharing
Back
Filmmaker
Distributors
Giving
Instance
Percentage
Interested
Percentages
Industry
Ticket
Movie
Sales
Actors
Tickets
Money
Legislation

More quotes by Andrzej Wajda

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At the same time, television theatre became more visibly active.
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As I said earlier, there are no writers who could create a literary vision of the new reality.
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Cinemas gained new young audiences who wanted films made for them.
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In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically.
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It was progressively more difficult to find work in the theatre, as well.
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Why does there exist a global American entertainment industry, but there isn't an equivalent coming from France or Italy? This is the case simply because the English language opens the whole world to the American cinema.
Andrzej Wajda
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On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
Andrzej Wajda
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Films made in the spirit of the past continued to be made.
Andrzej Wajda
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On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
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It turned out that the country was helpless in the face of a new reality.
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Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represented only to a minuscule degree in the last 12 years.
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Also a great part of Polish industry proved to have existed only to support the Soviet military industry, and it became superfluous and incapable of being transformed into anything else. We did not foresee that or the magnitude of these phenomena.
Andrzej Wajda
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Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.
Andrzej Wajda
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When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.
Andrzej Wajda
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However, that old mode of Polish filmmaking virtually disappeared.
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By dint of that concern and because that society was willing to examine its particular reality, Solidarity could come into existence.
Andrzej Wajda
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Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past.
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We expected that people were just waiting for the collapse of the Soviet Union, or at least for its retreat, and they were going to be full of initiative in all areas of life - in culture, in economy and in politics.
Andrzej Wajda
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Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society.
Andrzej Wajda
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In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
Andrzej Wajda