If I see a live show and it doesn't have the aspect of danger where it could potentially go wrong, it's not that interesting to me.

I don't judge people who just hit play, but I would judge myself if I did that. I wouldn't feel like I was earning my money, I'd feel like I was putting one over on people. I have to play the notes.

There are other tracks that are more reliant upon the beat. Like nobody's going to sit there and play Harlem Shake on the guitar!

My Trigger is the best combination of song and track. Heart Is Full is maybe the best song we've done as a song, and that's why we try to play it in different ways, too, because I think for a lot of people the track was a bit distracting from the song.

Some people I see - people who do more or less have prerecorded tracks - their persona is such that the visual side of just them is way more important and multi-dimensional. Me, I'm boring to look at.

We just did a bunch of songs, and there was a lot of enthusiasm for the songs that we made. We didn't feel like we had to do Miike Snow. We just did it because, I mean, I guess we felt like it would be a bit of a shame to leave it where we left it.

You want to achieve the effect, but not necessarily perform the same thing.

I'm not going to get into details, but every band has their moments when things are tough. Just logistically, tough on your body, stress levels, psychologically tough, relationships can be tough.

There are too many things to count that I like about London.

I think a song is, like, just play it on the guitar and sing it. You look out and see thousands of covers of Animal for example, so you think, That was probably a pretty good song, because people feel like it's satisfying to just play it with one instrument accompanying it.