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There's always one sequence in every animated film that's the bane of every animator's existence.

Andrew Stanton

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Andrew Stanton
Age: 59
Born: 1965
Born: December 3
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Voice Actor
Rockport
Massachusetts
Andrew Christopher Stanton Jr.
Sequence
Existence
Film
Every
Always
Animator
Bane
Animated

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I'm a family man, I have kids, and I go to the movies. And I'm just going to make the kind of movie I want to see.
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I've been a fan of movies longer than anything else. One thing I learned a long time ago is that you can't translate a book literally to the screen. It won't work because it's a different medium. And it would be the same in reverse.
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A major threshold is passed when you mature enough to acknowledge what drives you, and to take the wheel and steer it.
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Loneliness is, I think, people's biggest fear, whether they are conscious of it or not.
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I'm twice as funny, I'm twice as smart, I'm twice as whatever when I'm around other people that challenge me.
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I almost feel like it's an obligation to not further the status quo if you become somebody with influence and exposure.
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No one's going to see my mistakes I just need the safety of these mistakes to lead me to the right answers.
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Frankly, there isn't anyone you couldn't learn to love once you've heard their story.
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I've always been shocked and waiting-for-the-other-shoe-to-drop that a girl would ever talk to me, let alone want to marry me. They always seem to hold the power to me, and from my mother to my wife to my daughter, every time I try to really figure them out, and think I've got them pegged, I pay for it.
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I've always felt you unearth story, like you're on an archeological dig.
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Change is fundamental in story. If things go static, stories die.
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Working at Pixar you learn the really honest, hard way of making a great movie, which is to surround yourself with people who are much smarter than you, much more talented than you, and incite constructive criticism you'll get a much better movie out of it.
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Drama is anticipation mingled with uncertainty.
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The way Pixar has always worked is that we think of an idea and then we make it. We don't develop lots of ideas and then pick one.
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I'm also a huge cinephile, and I have witnessed that to honor the book literally word-for-word never makes a good movie.
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There's nothing that you like in this world that wasn't influenced by a bunch of key things nothing came completely clean out of a vacuum.
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And I'm not anti-sequel, but I just feel like there are very few ideas that are meant to be continued.
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In storytelling, the audience actually wants to work for their meal, they just don't want to know that they're doing it.
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I never think about the audience. If someone gives me a marketing report, I throw it away.
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