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There's always one sequence in every animated film that's the bane of every animator's existence.
Andrew Stanton
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Andrew Stanton
Age: 58
Born: 1965
Born: December 3
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Voice Actor
Rockport
Massachusetts
Andrew Christopher Stanton Jr.
Bane
Animated
Sequence
Existence
Film
Every
Always
Animator
More quotes by Andrew Stanton
I mean, frankly, I'm not speaking as a representative of Disney or Pixar, I'm speaking as just myself as a filmmaker: I don't go into anything that often thinking about a sequel.
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A major threshold is passed when you mature enough to acknowledge what drives you, and to take the wheel and steer it.
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Change is fundamental in story. If things go static, stories die.
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And I'm not anti-sequel, but I just feel like there are very few ideas that are meant to be continued.
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There's a lot of downsides to social media, but one of the nice things is that you can cut through all the BS and go straight to the person and ask them directly. I think that's a wonderful thing. I love talking to people who are true fans or who have a true love of cinema, and so if I can talk to them directly, great.
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Loneliness is, I think, people's biggest fear, whether they are conscious of it or not.
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The greatest story commandment is: Make me care.
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No one's going to see my mistakes I just need the safety of these mistakes to lead me to the right answers.
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I'm a family man, I have kids, and I go to the movies. And I'm just going to make the kind of movie I want to see.
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I had never touched a computer in my life before I came to Pixar.
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I'm still craving approval from my parents. It took a lot of success for me to realize it was never coming. It's just not in their nature.
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In storytelling, the audience actually wants to work for their meal, they just don't want to know that they're doing it.
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Sadly, my hobby is what I do for work, so I don't go off and go fishing. I go home and veg, and then I go back to work.
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Frankly, there isn't anyone you couldn't learn to love once you've heard their story.
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I've always been shocked and waiting-for-the-other-shoe-to-drop that a girl would ever talk to me, let alone want to marry me. They always seem to hold the power to me, and from my mother to my wife to my daughter, every time I try to really figure them out, and think I've got them pegged, I pay for it.
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Use what you know. Draw from it. It doesnt always mean plot or fact. It means capturing a truth from your experiencing it, expressing values you personally feel deep down in your core.
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If you want someone’s attention, whisper.
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A strong theme is always running through a well-told story.
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Even as a kid I was never the generator of humor, but I always knew who was funny, who to hang out with.
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I almost feel like it's an obligation to not further the status quo if you become somebody with influence and exposure.
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