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Well, executive producer can mean anything in the world of Hollywood, sadly. It can be a bought title in many instances.
Andrew Stanton
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Andrew Stanton
Age: 59
Born: 1965
Born: December 3
Actor
Animator
Film Actor
Film Director
Film Producer
Screenwriter
Voice Actor
Rockport
Massachusetts
Andrew Christopher Stanton Jr.
Anything
Producer
Wells
Title
Well
Executives
Many
Bought
Mean
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World
Producers
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Sadly
Hollywood
Executive
More quotes by Andrew Stanton
I had never touched a computer in my life before I came to Pixar.
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A major threshold is passed when you mature enough to acknowledge what drives you, and to take the wheel and steer it.
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There's a lot of downsides to social media, but one of the nice things is that you can cut through all the BS and go straight to the person and ask them directly. I think that's a wonderful thing. I love talking to people who are true fans or who have a true love of cinema, and so if I can talk to them directly, great.
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There's always one sequence in every animated film that's the bane of every animator's existence.
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I never think about the audience. If someone gives me a marketing report, I throw it away.
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A strong theme is always running through a well-told story.
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Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
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I'm still craving approval from my parents. It took a lot of success for me to realize it was never coming. It's just not in their nature.
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The best stories infuse wonder.
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I've been a fan of movies longer than anything else. One thing I learned a long time ago is that you can't translate a book literally to the screen. It won't work because it's a different medium. And it would be the same in reverse.
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I've always felt you unearth story, like you're on an archeological dig.
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I'm twice as funny, I'm twice as smart, I'm twice as whatever when I'm around other people that challenge me.
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Change is fundamental in story. If things go static, stories die.
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I think in the future we might see things arrive the way Prince announces a concert where a few days before the show he announces it and tickets just go up. You might see that with movies and other things.
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The thing about working at Pixar is that everyone around you is smarter and funnier and cleverer than you and they all think the same about everyone else. Its a nice problem to have.
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I mean, frankly, I'm not speaking as a representative of Disney or Pixar, I'm speaking as just myself as a filmmaker: I don't go into anything that often thinking about a sequel.
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And I'm not anti-sequel, but I just feel like there are very few ideas that are meant to be continued.
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I almost feel like it's an obligation to not further the status quo if you become somebody with influence and exposure.
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Frankly, there isn't anyone you couldn't learn to love once you've heard their story.
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If you don't think a film looks good then that is just a reflection of how bad the artist was that was using the paint that is really good.
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