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I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
Andrew Davies
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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Didn
Cross
Thought
Crosses
Even
Absolutely
Thompson
Mistake
Emma
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Sensibility
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More quotes by Andrew Davies
I always do like to write love stories, even if they end tragically.
Andrew Davies
Taking the humour out of Dickens, it's not Dickens any more.
Andrew Davies
The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
Andrew Davies
The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
Andrew Davies
Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
Andrew Davies
The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
Andrew Davies
Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
Andrew Davies
Novels often have leisurely openings a TV drama needs an arresting opening.
Andrew Davies
I remain, however, fairly optimistic for the future of period drama because it's just such a popular thing.
Andrew Davies
I suppose I have the tastes of someone who teaches at a university in the provinces.
Andrew Davies
An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
Andrew Davies
'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
Andrew Davies
The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
Andrew Davies
I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
Andrew Davies
I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
Andrew Davies
I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
Andrew Davies
Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
Andrew Davies
People in the BBC are always dying to get out of their open-plan offices.
Andrew Davies
I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
Andrew Davies
Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
Andrew Davies