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An adaptation I was working on of Trollope's 'The Pallisers' has been axed by the BBC... I was also going to do Dickens' 'Dombey and Son' but they've asked me to do 'David Copperfield' instead.
Andrew Davies
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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Working
Trollope
Also
Copperfield
Going
Dickens
Adaptation
David
Son
Asked
Instead
Dombey
More quotes by Andrew Davies
I'm absolutely delighted if people think of me as a reliable purveyor of quality period stuff.
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I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
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The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
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People in the BBC are always dying to get out of their open-plan offices.
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Novels often have leisurely openings a TV drama needs an arresting opening.
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
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The joy of writing drama is putting yourself into different people's heads.
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People like bonnets. I don't think you can under-estimate that.
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I suppose I have the tastes of someone who teaches at a university in the provinces.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
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I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
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I adore doing classic adaptations, but I also feel their frustrations and their limitations.
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Be careful about the advice you give, especially to your children.
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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You're stuck with being yourself, so the important thing is to find people who like that.
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
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