Quote

When you see two writers named on a movie, one of them did some drafts and got the boot.

Andrew Davies

Change background

T
T
T

Change font

TAGS & TOPICS

Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Boot
Named
Boots
Writers
Movie
Two
Drafts

More quotes by Andrew Davies

Image
Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
Andrew Davies
Image
I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
Andrew Davies
Image
People in the BBC are always dying to get out of their open-plan offices.
Andrew Davies
Image
The joy of writing drama is putting yourself into different people's heads.
Andrew Davies
Image
Taking the humour out of Dickens, it's not Dickens any more.
Andrew Davies
Image
People like bonnets. I don't think you can under-estimate that.
Andrew Davies
Image
The older I get, the more fun it is to write young people. It's just a holiday from what is becoming old age, really.
Andrew Davies
Image
'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
Andrew Davies
Image
A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
Andrew Davies
Image
I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
Andrew Davies
Image
I would love it if anyone gave me the job of adapting 'The Great Gatsby,' but nobody ever does.
Andrew Davies
Image
I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
Andrew Davies
Image
Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
Andrew Davies
Image
I used to have this Mercedes, a dark blue 450SLC, which was the most beautiful car. I'd like to have another unusual, beautiful car.
Andrew Davies
Image
Be careful about the advice you give, especially to your children.
Andrew Davies
Image
The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
Andrew Davies
Image
Rebecca Eaton has made an enormous contribution to the cultural life of America, and, more than that, she is one of the most fun people I know.
Andrew Davies
Image
I had a mother who was very emotionally demanding, wanting to be the centre of attention. As they say in EastEnders, she thought it was all about 'er. I spent a lot of time trying to work out what was going on.
Andrew Davies
Image
The most moving scene for me in 'Pride and Prejudice' is the Pemberley music room scene: Elizabeth has just saved Darcy's sister from embarrassment and confusion, and as the music plays on, Darcy's look of gratitude becomes a look of love, which we see reciprocated in Elizabeth's eyes.
Andrew Davies
Image
I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
Andrew Davies