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Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?

Andrew Davies

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Andrew Davies
Age: 88
Born: 1936
Born: September 30
Screenwriter
Writer
Rhiwbeina
Andrew Wynford Davies
Thinking
Satisfying
Plan
Plans
Leave
Audience
Experience
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Episodes

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The joy of writing drama is putting yourself into different people's heads.
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Most actors hate readthroughs - they're exposing themselves before they're ready to, and before they've bonded. But I love them because they give us all the first inkling of what the whole show is going to be like, how each part affects every other part, and we won't see that again until it's all edited together.
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'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
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I'm glad nobody has asked me to adapt 'Wuthering Heights' because I think I would make a mess of it. Everybody makes a mess of it. I think the Bronte Sisters are mad.
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The writer in movies is about as low as you can get and you really are a hired hand. You are paid a lot of money to be treated like dirt.
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I prefer love scenes to be shot up close with a lot of focus on eyes and mouths. Otherwise it can feel uncomfortable and voyeuristic.
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I'd love to adapt more contemporary novels. But there isn't really enough story and character to make a really satisfying serial, so they tend to be single dramas.
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When you see two writers named on a movie, one of them did some drafts and got the boot.
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People like bonnets. I don't think you can under-estimate that.
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As a fairly innocent teenager, growing up in a village in Wales, I just thought, God, I would like to go and hang about Soho and write great poetry and try to avoid drinking myself to death.
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People in the BBC are always dying to get out of their open-plan offices.
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A distinguished producer called Kenith Trodd actually lived in his office for over a year - the cleaners refused to go in because it was such a tip.
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Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
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Novels often have leisurely openings a TV drama needs an arresting opening.
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Taking the humour out of Dickens, it's not Dickens any more.
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I got quite cross when I heard about Emma Thompson adapting 'Sense and Sensibility.' It was absolutely childish of me, but I thought, 'I should be doing that. They didn't even ask me.' Some mistake, surely.
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I always do like to write love stories, even if they end tragically.
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The BBC fulfils a wonderful cultural function. Maybe the problem is that it feels it needs to be everything to everybody.
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I was getting rewarded for writing well, from about the age of five or six. A teacher would say, Look what Andrew has written, and I thought, Maybe I could be a writer.
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I had a very high opinion of my father's judgement of things and he said, You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time.
Andrew Davies